{"title":"中","description":"\u003cp\u003eTitles in Chinese or related to Sinophone cultures\u003c\/p\u003e","products":[{"product_id":"how-to-shoplift-books-chinese-edition","title":"How to Shoplift Books (Chinese Edition)","description":"\u003cp\u003eDavid Horvitz\u003c\/p\u003e","brand":"Artist (David Horvitz)","offers":[{"title":"Default Title","offer_id":42051646357588,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}]},{"product_id":"how-to-shoplift-books-taiwanese-edition","title":"How to Shoplift Books (Taiwanese Edition)","description":"\u003cp\u003eDavid Horvitz\u003c\/p\u003e","brand":"Artist (David Horvitz)","offers":[{"title":"Default Title","offer_id":42051646423124,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}]},{"product_id":"lee-mingwei-9-histoires-9-stories","title":"9 Stories \/ 9 Histoires \/ 九則故事","description":"\u003cp\u003eThis trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.\u003c\/p\u003e\n\u003cp\u003eThis catalogue results from nine conversations between Lee Mingwei and nine curators or institutional directors—Adeline Lépine, Christine Macel, Limor Tomer, Suhanya Raffel, Kathryn Weir, Eugenie Tsai, Stephanie Rosenthal, Mami Kataoka and Simon Maidment—together with one of Mingwei's performers, Jean-Gabriel Manolis. These conversations tell stories of encounters and awkwardnesses, of moments of delights and grief, of joy and violence. The Moving Garden, Bedtime Stories, When Beauty Visits and Sonic Blossom deal with the notion of giftgiving; Bodhi Tree Project and Our Labyrinth with the world and oneself; The Letter Writing Project, Guernica in Sand and The Mending Project with the ideas of forgiveness, inclusion and repair. Each project is to be taken as an invitation to an inner and sensitive journey.\u003c\/p\u003e\n\u003cp\u003eNine conversations, thousands of experiences, encounters and circumstances: these are stories of the world as it goes by, made by and for the people, to be shared, told, and lived. Or, as John Cage once said, “The emotions—love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust—are in the audience.” (Silence: Lectures and Writings, 1961)\u003cbr\u003eNicolas Garait\u003c\/p\u003e\n\u003cp\u003eLee Mingwei (born 1964 in Taiwan, lives and works in New York City and Paris) creates participatory installations, where strangers can explore issues of trust, intimacy, and self-awareness, and one-on-one events, where visitors contemplate these issues with the artist through eating, sleeping, walking and conversation. 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Guided by spiritual figures such as Mazu, Guanyin, and the Seven Fairies, Perry weaves together field research, fictional fragments, poetic reflection, and visual stills into a rich, multi-layered constellation.\u003c\/p\u003e\n\u003cp\u003e280 pages\u003c\/p\u003e","brand":"Printed Matter","offers":[{"title":"Default Title","offer_id":42208815743060,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_4f083492-6d84-400a-82ba-dffd2a44b109.jpg?v=1775092020"},{"product_id":"the-train","title":"The Train","description":"","brand":"IPS","offers":[{"title":"Default Title","offer_id":42308583063636,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}]},{"product_id":"dun-dun-zine-photo-book","title":"Dun Dun Zine \u0026 Photo Book","description":"","brand":"Artist (Dun Dun)","offers":[{"title":"Default Title","offer_id":42313944563796,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}]},{"product_id":"a-cup-of-etang-hand-towel-5-cat-5-udon","title":"A Cup of Etang - Hand Towels","description":"\u003cp\u003eThe towels are produced on the occasion of Etang Chen's photography exhibition \"A Cup of Etang\" at nos:bookspace, available at the vending machine on site.\u003c\/p\u003e\n\u003cp\u003eWe also take the idea of the old style photo shop that the photographs are printed on everyday object as a souvenir. 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From an Invader. – Rhododendrons, Empire, China and Me is an intensive field study. Every other day for a year, Yan Wang Preston (CN\/GB) went to a particular love-heart-shaped Rhododendron ponticum bush and photographed it. The ritual walks offered her time and space to experience, observe, and explore the land from different perspectives. She not only looked, listened, touched, and played, but also used a variety of methods to highlight the ‘invisible’ aspects of the otherwise bare landscape. Her infrared motion-sensitive cameras saw more than 20 different animal species, while her sound recorder heard over 45 different bird species in the area.\u003c\/p\u003e\n\u003cp\u003eOther than observing and documenting, she also selected another tiny rhododendron shrub to have ‘hands on’ interactions. She collected all its fallen leaves in autumn, its seed capsules and aborted flower buds in winter, its fading flowers in spring and summer. This lengthy process of collecting in the field led to further embodiment with the British landscape and enabled Wang Preston to respond subjectively and intuitively to the materials, resulting in a complementary series Autumn Winter Spring Summer.\u003c\/p\u003e\n\u003cp\u003eThese Rhododendron ponticum plants are located at the outskirt of Burnley in Lancashire, UK. The plants thrive in this area as a legacy of the local hunting estate during the 19th century, when the plants were grown to provide cover for the game. British rhododendrons are all introduced plants, brought from southern Europe and East Asia for science and horticulture. Once the subject of the “rhodo-craze” in the Victorian era, the plant’s reputation has changed dramatically since the mid-20th century. Although still common and a much-loved sight in most British gardens, one hybrid species, the ponticum variety, is frequently labelled as non-native invasive in conservation management, targeted to be removed with often violent means. For example, Forestry and Land Scotland has ‘used chainsaws, pesticides, and considerable human power to remove this unwelcome alien.’\u003c\/p\u003e\n\u003cp\u003eCertainly not the only species treated this way, the Rhododendron ponticum is a case study for such naturalised hierarchy between the native and the non-native. This unquestioned hatred of the non-native rang alarm for Wang Preston. Like millions of others, she is a migrant in the United Kingdom. The contested perceptions of rhododendrons suggest that politics is at play within the apparent objectivity of science and the definition and ownership of the British landscape. What is a ‘national’ British landscape and its associated ‘national ecology’? Who defines it? And in whose favour? Wang Preston sought to understand both rhododendrons and her own position in this land. What she finds, through the making of With Love. From an Invader. and Autumn Winter Spring Summer, is that the rhododendrons in this area are certainly not invasive. Rather, they are a keystone species that plays a central role in the local ecology.\u003c\/p\u003e\n\u003cp\u003eWith Love. From an Invader. celebrates the life and resilience of the rhododendron. The book creates space to contemplate the intimacy, beauty, and strength of nature, and the eternity of time within an ecological and political framework. It is a love letter from a non-native species to the cosmopolitan ecology of contemporary Britain. It is also a love letter to the British land from its non-native inhabitants who make it a home for its multicultural residents, both human and non-human.\u003c\/p\u003e\n\u003cp\u003e320 pages\u003c\/p\u003e","brand":"IDEA BOOKS","offers":[{"title":"Default Title","offer_id":42395253309524,"sku":null,"price":47.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_9d012d5c-f982-4465-afb5-32d0881f3b37.jpg?v=1775093284"},{"product_id":"miao-mouthorgans-and-other-rare-instruments-in-guizhou-lp","title":"Miao Mouthorgans \u0026 Other Rare Instruments in Guizhou (vinyl LP)","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eA series of previously unreleased recordings of mouth organs and other rare traditional instruments from China's Guizhou and Sichuan provinces.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cem\u003eThe term Miao is a very ancient Chinese misleading pseudo-ethnic categorisation, what we call the Hmong in western languages, a term recognised by colonial French Indochina. Miao became a generic term which does not reveal the diversity of 38 subgroups or 9 million people, mostly in Southern China Guizhou Province.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cem\u003e\u003cbr\u003eChina having moved towards the market economy, a large number of minority regions have marketed a commodity available only to them: their ethnicity itself. Ethnic tourism has developed in a big way in China since the 1990s for Chinese and foreign tourists, and is often promoted as the way to create income in those areas for development. I usually stay away from ethnotouristic shows and try to get music which is not a commodity! I was based in Dali. Yunnan. China between 2006 and 2013.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\n\u003cbr\u003eLaurent Jeanneau\u003c\/div\u003e","brand":"Les presses du réel","offers":[{"title":"Default Title","offer_id":42913625407572,"sku":"5411867335571","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/a1361516977_10.jpg?v=1774047331"}],"url":"https:\/\/shop.plot.place\/collections\/%e4%b8%ad.oembed","provider":"PLOT","version":"1.0","type":"link"}