{"title":"Books","description":"","products":[{"product_id":"unidentified-flying-object-for-contemporary-architecture","title":"Unidentified Flying Object For Contemporary Architecture","description":"\u003cp\u003eThe first monographic publication focused on the Florentine UFO group (1968-1978), that conducts a historical analysis of its work, reveals its close relationship with the contemporary artistic, literary and architectural avant-garde and, finally, investigates its legacy for the contemporary project.\u003c\/p\u003e\n\u003cp\u003eThe contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the Radical Architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. With these premises, Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new “stone monuments” capable of indicating new perspectives for both research and design.\u003c\/p\u003e\n\u003cp\u003ePlacing UFO group, one of the authors of those still poorly known “monuments”, at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into devices of an architecture nourished by literature, art and political commitment for the foundation of an eloquent and activist project even more radical than the well-known Superstudio and Archizoom. The collaboration between Beatrice Lampariello, an architecture historian specialized in the 1960s and 1970s, and False Mirror Office, a group of historians and designers engaged in the rediscovery of UFO group, lead to a monograph focused on the UFO’s work and an evaluation of their legacy relative to contemporary architecture.\u003c\/p\u003e\n\u003cp\u003eThis monograph is composed of three sections: 1) History, a first-ever study of UFO by False Mirror Office via analysis of all archival and bibliographic sources, as well as a series of interviews with UFO members and a collection of its writings (published and unpublished), for the first time translated into English; 2) Context, composed of essays by historians and architectural theorists (Beatrice Lampariello, Simon Sadler, Anna Rosellini, Giovanni Galli, Jacopo Galimberti) intended to place UFO’s work in the context of the avant-garde that influenced its work, from the experience of Florentine Radical Architecture to Umberto Eco’s theories on semiotics and the American experiences between Pop Art, Video Art and Happening; 3) Legacy, articulated through graphic contribution and essays by young designers, as False Mirror Office, Parasite 2.0, Point Supreme, Jimenez Lai, Andrew Kovacs, Adam Nathaniel Furman, Traumnovelle, (ab)Normal and Peter Behrbohm, to investigate UFO’s legacy relative to the contemporary revival of the most distinguishing creative processes and obsessions that shaped the so-called Radical Architecture.\u003c\/p\u003e\n\u003cp\u003eContributions by: Beatrice Lampariello, Boris Hamzeian and Andrea Anselmo (False Mirror Office), Gloria Castellini (False Mirror Office), Simon Sadler, Anna Rosellini, Giovanni Galli, Jacopo Galimberti, Filippo Fanciotti and Giovanni Glorialanza (False Mirror Office), Parasite 2.0, Point Supreme, Jimenez Lai (Bureau Spectacular), Andrew Kovacs, Adam Nathaniel Furman, Traumnovelle, (ab)Normal, Peter Behrbohm\u003c\/p\u003e\n\u003cp\u003e336 pages\u003c\/p\u003e","brand":"Ingram Publisher Services","offers":[{"title":"Default Title","offer_id":42031468150868,"sku":"978-1638409922","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/A14Dz4-gupL._SL1500.jpg?v=1774472860"},{"product_id":"victor-gruen-from-urban-shop-to-new-city","title":"Victor Gruen: From Urban Shop to New City","description":"\u003cp\u003eAmid the mid-century debates surrounding the development and transformation of the American city and suburb, a renowned architect-planner, Victor Gruen (1903-80), became one of the most important figures in this rapidly changing context. Tremendously influential during the 1950's and 60s, Gruen's work was driven by urban planning problems created by the rapid onset of new suburbias, urban highways, and the subsequent deterioration of existing downtowns. Dubbed the \"pioneer of the shopping center,\" Gruen envisioned the suburban mall as a new type of urban public space in the new dispersed residential fabric. In this book, which outlines the theories and projects that mark a thirty year period, Alex Wall presents the largely overlooked story of conflict between the ambition of an architect and the transformation of American society, its cities, and its landscape. Through a roughly chronological structure, \"Victor Gruen, From Urban Shop to New City\" fills a gap in the architectural character of postwar America, as well as provides insight into the ongoing validity of Gruen's theories and work within current discourse of the contemporary city.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e220 pages\u003c\/p\u003e","brand":"Ingram Publisher Services","offers":[{"title":"Default Title","offer_id":42031468281940,"sku":"978-8495951878","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_c5533b83-2ab3-4c74-9bdb-b71be4ae3811.jpg?v=1775077732"},{"product_id":"the-100th-anniversary-of-manifeste-du-surrealisme","title":"The 100th Anniversary of “Manifeste du surréalisme”","description":"\u003cp\u003eAndré Breton’s ‘Manifeste du surréalisme’ marked the birth of one of the most widely influential art movements of the 20th century. 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Focusing on paintings, this book surveys the full scope of Japanese surrealism from pre-war to post-war.\u003c\/p\u003e\n\u003cp\u003ePaperback\u003cbr\u003e304 pages\u003c\/p\u003e","brand":"IDEA BOOKS","offers":[{"title":"Default Title","offer_id":42038679371860,"sku":"","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/978-4-86152-941-2_cvr-1.jpg?v=1774474580"},{"product_id":"alessandro-sanna","title":"You Bring the Furniture","description":"\u003cp\u003eTwo walls and a roof as a shelter. A home warms the hearts of the ones that live in it and shelters when it rains; it’s the place where one happily returns and where one feels “at home”.Alessandro Sanna’s book re-creates the same atmosphere of warmth and serenity of being at home. Its shape, essential but immediate, appears in each page as starting point of a series of variations suggested by the image and imagination. The constant black image of home is “fulfilled” by the red illustrations, that create many possible illustrations: \"home\" turns into a \"coffee-maker\", or maybe some \"trees\" or eventually a \"kite\"... Written and drawn in the aftermath of the earthquake in Abruzzo, A home, my home - now available again fifteen years after the first edition - is a poem dedicated to all the children of the world who have lost their homes.\u003c\/p\u003e","brand":"IDEA BOOKS","offers":[{"title":"Default Title","offer_id":42038697066580,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_4e05caec-99aa-451d-9ed7-b7be673cec5a.jpg?v=1775087486"},{"product_id":"marike-schuurman-today-is-not-possible","title":"Today is not possible","description":"\u003cp\u003eContemporary German artist Fritz Balthaus' works are both precise experimental arrangements and ironic interventions in the art world and the exhibition business. They oscillate between image, sculpture, and architecture. They uncover the hidden processes of art production and transform them into visible works of art in space. This monograph divides his work into the categories Paper, Light, Air, Wall, and Building, implying the size, location, or medium of his images and sculptures. Whether in museums, art halls, galleries, baroque palaces and gardens, or public contexts, the works of art reflect not only the conditions of their creation, but also the surroundings of their presentation.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e168 pages\u003c\/p\u003e","brand":"IDEA BOOKS","offers":[{"title":"Default Title","offer_id":42038698901588,"sku":"","price":58.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_7503278a-c637-4665-aaf4-52bfaa6d3edd.jpg?v=1774584790"},{"product_id":"sophie-calle-neither-give-nor-throw-away","title":"Neither Give nor Throw Away","description":"\u003cp\u003eWhile Sophie Calle (born 1953) was preparing for her exhibition at the Musée Picasso in Paris, a storm hit her home and caused severe mold and water damage to many artworks, including photographs from her series Les Aveugles (The Blind). Calle was inspired by an idea by artist Roland Topor, in which he buried an old sweater that he could neither give away nor throw away. Thus, her subsequent exhibition and its corresponding artist’s book contend with art that fades with the passage of time.\u003c\/p\u003e\n\u003cp\u003eTo accompany the damaged images from Les Aveugles, reproduced alongside spatters of rot and stain, Calle chose to feature other rain-damaged artworks that, curiously, all spoke of death or loss: bouquets of dried flowers; photographs of graves; paintings of her mother’s last word. Atop this moribund arrangement she adds things from her life, such as articles of clothing, that she cannot bring herself to part with. Inserted within the pages are 15 color images of the exhibition display, which the reader can add to any page of the book, whether indicated by the picture-frame-printed corners or otherwise.\u003c\/p\u003e\n\u003cp\u003e80 pages\u003c\/p\u003e","brand":"Printed Matter","offers":[{"title":"Default Title","offer_id":42038760079444,"sku":"","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_15490171-c840-4acb-b194-5fffe69282c0.jpg?v=1775089497"},{"product_id":"my-childhood-home-visual-memory-excavation-2","title":"My Childhood Home (Visual Memory Excavation #2)","description":"\u003cp\u003e“An attempt to dig out specific enough memories to reconstruct through visual information places loved in childhood - our home.” Athena Tacha\u003c\/p\u003e\n\u003cp\u003eFrom our exhibition Athena Tacha, The Complete Bookworks 1970 to Present: “Tacha’s accordion-fold pocket books are “meditations on a particular aspect of life, describing ordinary acts and phenomena such as scratching dandruff from the scalp, considering which groceries to buy in the supermarket, or the appearance of wrinkles with age. Tacha’s reflections bring to light the broader implications of these seemingly commonplace events, making allusions to the ecological, sociological, and political impacts of our personal choices and emotions and visa versa. Just as often, Tacha’s reflections stay within the intimate scope of the act or object described and leave the reader to draw their own conclusions.”\u003c\/p\u003e\n\u003cp\u003e16 pages\u003c\/p\u003e","brand":"Printed Matter","offers":[{"title":"Default Title","offer_id":42038770171988,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_b04f2a4c-7b76-4dd5-989f-1599fc22b835.jpg?v=1775089742"},{"product_id":"different-realities","title":"Different Realities","description":"\u003cp\u003eIn Different Realities Athena Tacha muses about external factors that shape our internal sense of ourselves and our world. She identifies particular people, smells, flavors and visions that are indelibly linked with certain time periods in her life and then describes startling associations that indicate that memories are not stored in discrete objects or places, but more generally, as moods. 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It marks the tenth anniversary of Glissant's passing. Translation by Emma Ramadan.\u003c\/p\u003e\n\u003cp\u003eHans Ulrich Obrist met the Martinique-born philosopher, poet, and revolutionary Édouard Glissant in the mid-nineties; the encounter influenced the direction of Obrist's work for years to come. As one of today's most prolific producers of culture, Obrist has left an indelible mark and Glissant, in part, through him. Throughout 2021, during the pandemic and ten years after Glissant's death, Obrist has edited, reworked, and arranged their conversations in their entirety for the first time. THE ARCHIPELAGO CONVERSATIONS is the result: a book designed to introduce the most important philosopher of the 21st Century to a broad, public audience - a ready-to-hand tool for building an interdependent Earth.\u003c\/p\u003e\n\u003cp\u003eHans Ulrich Obrist (1968) is artistic director of the Serpentine Galleries in London. Prior to this, he was the curator of the Musée d'Art Moderne de la Ville de Paris. He has curated more than three hundred shows since 1991. Obrist's recent publications include Lives of the Artists, Lives of the Architects (2015), Mondialité (2017), Somewhere Totally Else (2018), The Extreme Self: Age of You (2021).\u003c\/p\u003e\n\u003cp\u003eÉdouard Glissant (1928 - 2011) was a French writer, poet, philosopher, and literary critic from Martinique. He is widely recognised as one of the most influential figures in Caribbean thought and cultural commentary and Francophone literature. Glissant was a disciple and fellow countryman of the poet Aimé Césaire, who founded the Negritude movement to promote an African culture free of all colonial influences. This led him into political action, founding The Antillean-Guyanese Front with other writers, such as Béville and Corsnay Marie-Joseph, and fought for the independence of the French West Indies and Guiana from France's rule. He became the father-figure for the Créolité group of writers that includes Patrick Chamoiseau and Raphaël Confiant.\u003c\/p\u003e\n\u003cp\u003ePaperback\u003cbr\u003e215 pages\u003c\/p\u003e","brand":"Isolarii","offers":[{"title":"Default Title","offer_id":42046038442068,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/9164\/6292\/files\/image-1_152ff0ca-284a-4bab-a7c8-7a453606dbc8.jpg?v=1775077406"},{"product_id":"under-the-wings-of-the-valkyrie","title":"Under the Wings of the Valkyrie","description":"\u003cp\u003eAn exploration of eroticism in extremism.\u003c\/p\u003e\n\u003cp\u003ePublished in Icelandic in 1994, Under the Wings of the Valkyrie is the work that established Sjón's literary career. Short and intense, the story unfolds through a letter from Icelandic architect Fridjón B. Fridriksson to his wife, revealing his lifelong obsession with German militant Gudrun Ensslin, of the Baader-Meinhof gang. He first glimpsed her on TV as a child and now Ensslin lingers in his dreams and has become the defining fixture of his psyche. To break free from Ensslin, and salvage his marriage, Fridjón resorts to drastic measures. Disturbing yet captivating, Under the Wings of the Valkyrie blurs the lines between passion and madness, fantasy and reality.\u003c\/p\u003e\n\u003cp\u003eSjón (Sigurjón Birgir Sigurðsson, born 1962 in Reykjavik) is a celebrated novelist, poet, and lyricist, who has become a central figure in Icelandic culture. Junot Diaz hailed him as 'the trickster who makes the world' and the late, great A.S. Byatt regarded him as 'a Magus of the North'. He is known also for his collaborations with singer Björk, receiving an Oscar nomination for lyrics to Lars von Trier's Dancer in the Dark, and his screenplays for critically acclaimed films The Northman and Lamb. 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Three decades on, he has ascended to the legendary status of the city's great living surrealist, existing, as Eliot Weinberger wrote, in a state of \"imaginal hyperdrive,\" with forty such collections to his name.\u003c\/p\u003e\n\u003cp\u003eOperating at the edge of language, Alexander deploys words in a way that feels prophetic—human psyches synthesize with technological artifacts; atoms and archetypes collide; bodies are vacated, voices are newly incarnated. His America—like Glissant's—is multinational and—like Coover and Spiegelman's—multivalent and symbolically unstable. That is to say, he belongs to an America circa 2024, where poetry—the art of developing new means of speaking—has never been of such artistic, technological, and political consequence.\u003c\/p\u003e\n\u003cp\u003eIn doing so, Alexander draws from a vast array of influences, from luminaries like Aimé Césaire, Bob Kaufman, Andre Breton, Antonin Artaud, and Philip Lamantia, to holistic visions such as Sri Aurobindo's Integral Yoga, the Mayan numerical system, and Cheikh Anta Diop's perspectives on ancient Egypt. 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No one understood this better than James Lovelock, the most significant scientific thinker since Charles Darwin.\u003c\/p\u003e\n\u003cp\u003eOver the course of his career, Lovelock set the terms by which we've come to understand life—biologically, societally, poetically—in the twenty-first century. 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As another of Lovelock's heirs, Tim Lenton, writes in his afterword, this encounter was pivotal in Lovelock's late intellectual life and, at the start of 2023, provides a guide—by way of Lovelock's Gaian approach—to address today's \"polycrisis.\"\u003c\/p\u003e\n\u003cp\u003eEver Gaia opens the second season of isolarii as a tribute not just to Lovelock but to the late Bruno Latour, who introduced the series when we launched it two years ago. 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